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Max Richter Ensemble

Max Richter Ensemble LONDON Barbican, Silk Street, London, EC2Y 8DS http://serious.org.uk/events/max-richter-ensemble1 ​Hailed as the most influential composer of his generation, Richter’s sound world blends a classical training with modern technology, with work including a series of acclaimed solo albums on FatCat and Deutsche Grammophon, concert and Ballet music, and scores for the award-winning films, including Waltz with Bashir and HBO’s The Leftovers. On this tour, … Continue reading Max Richter Ensemble

The greatest electronic albums of the 1950s and 1960s

  https://thevinylfactory.com/features/the-greatest-electronic-albums-of-the-1950s-and-1960s-2/   Words: Joseph Morpurgo The great electronic albums of the 1970s get plenty of kudos – but what of their predecessors? Casual accounts of the history of electronic music tend to point back to familiar sources: Suicide’s babble’n’hum; Cluster, Klaus Schulze and the rest of the Krautrock squad; the stygian mulch-music of early … Continue reading The greatest electronic albums of the 1950s and 1960s

The Japanese godfather of synthesizers who influenced Stevie Wonder has died

Isao Tomita, one of the progenitors of synthesized music, died Thursday. He was 84. Some EDM fans know him as one of the reasons the genre exists. He's generally regarded as a visionary for his 1970s electronic music albums. But Tomita’s influence extends beyond what we traditionally think of as “electronic” music. Stevie Wonder named Tomita … Continue reading The Japanese godfather of synthesizers who influenced Stevie Wonder has died

GREY GOO: GRAHAM DUNNING TALKS

http://www.theransomnote.com/music/interviews/grey-goo-graham-dunning-talks GREY GOO: GRAHAM DUNNING TALKS The creator of 'Mechanical Techno' explains life amongst machines.   Graham Dunning’s recent tune, ‘Floating Worlds’, provided the soundtrack to the drizzly, post-BBC-Bake-Off Friday morning as I made my way towards Russell Square to meet him for a coffee. My anxieties over whether or not Mary Berry would remain … Continue reading GREY GOO: GRAHAM DUNNING TALKS

Park Nights 2016: BBC Radio 3’s Late Junction – Serpentine Pavilion

https://www.facebook.com/events/692069607612117/ A live recording of BBC Radio 3’s Late Junction in the Serpentine Pavilion, featuring live sets by Bas Jan, Adam Christensen, yeah you and Evan Ifekoya Late Junction is a home for adventurous listeners on BBC Radio 3, broadcasting every Tuesday, Wednesday and Thursday evening from 11pm with a wild mix of mind bending … Continue reading Park Nights 2016: BBC Radio 3’s Late Junction – Serpentine Pavilion

ShapeShifter Lab, Brooklyn, NY

ShapeShifter Lab is a 4,200 square foot performance space in Park Slope/ Gowanus area in Brooklyn; we host the world’s most innovative artists who are looking for a flexible platform to present their work. Bass player Matthew Garrison, son of Jimmy Garrison (bass player for John Coltrane), is the co-owner and creative director with his business … Continue reading ShapeShifter Lab, Brooklyn, NY

The difference between hearing and listening | Pauline Oliveros

  https://youtu.be/_QHfOuRrJB8   Published on Nov 12, 2015 Sounds carry intelligence. If you are too narrow in your awareness of sounds, you are likely to be disconnected from your environment. Ears do not listen to sounds; the brain does. Listening is a lifetime practice that depends on accumulated experiences with sound; it can be focused … Continue reading The difference between hearing and listening | Pauline Oliveros

Eliane Radigue

Eliane Radigue's still, slow soundscapes made her an electronic music pioneer – so why has she abandoned the synthesiser, asks Pascal Wyse https://www.theguardian.com/music/2011/jun/16/eliane-radigue-electronic-music-interview Pascal Wyse Thursday 16 June 2011 22.30 BSTFirst published on Thursday 16 June 2011 22.30 BST In New York, 1970, Eliane Radigue met her first synthesiser. It was a Buchla, and looked – as … Continue reading Eliane Radigue

40 Years Of Women In Electronic Music

Avant-garde and outsider arts site UbuWeb has shared a 40+ year audio retrospective of women in electronic music. http://ubu.com/sound/leidecker.html VARIATIONS #1. Transition. 28.04.2009 (58' 08'') Playlist [PDF]  Transcript [PDF] The first episode of this overview of appropriative collage in music covers the years 1908 through 1961. The idea of a completely original piece of music is … Continue reading 40 Years Of Women In Electronic Music